A Gripping Tale of Injustice
Recently, I witnessed the powerful film Qaidi Band, which resonated deeply with me. Just days before, a local vegetable vendor I often saw had vanished. Upon inquiring with his wife, I learned he was imprisoned after intervening in a street fight to protect a friend from a knife attack. She lamented their inability to afford legal representation to secure his release.
In Qaidi Band, a prominent lawyer, portrayed by Ram Kapoor, steps in to assist innocent undertrials without charge. Such instances are rare in reality, but the film offers a glimmer of hope. The narrative, directed by Habib Faisal, follows Sanju (Aadar Jain), who shares his harrowing experiences of incarceration with Bindu (Anya Singh) while tending to her injured foot. His dialogue is rapid, revealing the pain he conceals.
The film is filled with moments that evoke a profound connection, subtly critiquing the pervasive injustice in society, akin to how many accept rapists as spiritual leaders.
Qaidi Band boldly confronts the establishment. From the outset, Faisal establishes a serious tone, introducing the undertrials with urgency. The performances of debutants Aadar Jain and Anya Singh are commendable, as they embody the desperation of their roles.
The storyline is tightly woven, raising significant questions about freedom, culminating in an idealistic climax. Jain's character, a source of humor, embodies a strong sense of justice despite his circumstances, reminiscent of his grandfather, Raj Kapoor. The film's music, composed by Amit Trivedi, enhances its emotional depth.
Anya's character, Bindu, remains hopeful until the judge sets her bail at Rs 5 lakhs. Her emotional breakdown in court showcases her talent and adds to the film's impact.
The supporting cast, particularly Mikhail Yawalkar as a poet and family man, delivers strong performances, highlighting the emotional toll of imprisonment.
Cinematographer Anay Goswami deserves accolades for capturing the film's tense atmosphere, while Trivedi's music, paired with poignant lyrics, contributes significantly to its overall excellence.
Although the climax may seem unrealistic, and Sachin Pilgaonkar's portrayal of a morally ambiguous jailer lacks depth, these flaws do not diminish the film's powerful commentary on freedom and its often taken-for-granted nature.
Faisal's film avoids preachiness, steering clear of typical tropes. After previous disappointments from Yash Raj Films, Qaidi Band stands out as one of their best offerings post-Yash Chopra, alongside Dum Lagake Haisha. Despite its struggles at the box office, it introduced promising talents like Aadar Jain and Anya Singh.
Aadar, a standout male discovery of 2016, portrayed his character with empathy and warmth. It's unfortunate that the film did not achieve commercial success, as he deserves another opportunity.
In a pre-release interview, Aadar shared his excitement about securing a three-film deal with Yash Raj, emphasizing that he earned it independently. He expressed surprise at the nepotism accusations that surfaced after the film's launch.
Aadar also addressed comparisons between Qaidi Band and another film, Lucknow Central, clarifying that he was unaware of the latter during production. He noted that while both films share a similar premise, their execution would differ.
Ultimately, both Qaidi Band and Lucknow Central faced disappointing box office results.
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